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Kenny Baker

June 26, 1926 - July 8, 2011

United States Map Highlighting Tennessee
Kenny Baker came from a family of fiddlers and wasn’t interested in the instrument until he discovered the recordings of Bob Wills and Stephane Grappelli. Baker played for years with Bill Monroe, who often introduced him as “the greatest fiddler in bluegrass.” Photograph by Tom Raymond, courtesy National Council for the Traditional Arts
Kenny Baker, photograph by Tom Raymond, courtesy National Endowment for the Arts
Photograph by William K. Geiger, courtesy National Endowment for the Arts
Promotional photograph, courtesy Kenny Baker and Josh Graves

Kenny Baker was born in the small coal-mining town of Burdine, Kentucky. He came from a long line of fiddlers. "My daddy played, my great-grandfather played," he said. "My grandmother played. I had an aunt that played, and I heard all the old-time fiddle numbers ... they burned me out with it, really. I had in mind I didn't want to play fiddle!" Initially, he didn't; instead, he started playing the guitar at about age 7. As a youth, he was in demand to play at local dances. "In the country where I lived, they'd have these gatherings at people's houses, and when the dance came to our house, why they'd get me up ... to play the guitar with the fiddle and old drop-thumb banjo...."

Baker became interested in the fiddle while serving in the Navy during World War II. In New Guinea, he first heard the recordings of the Western swing of Bob Wills and the jazz fiddle of Stephane Grappelli and realized that "there was stuff happening on the fiddle that I'd never known about. That's when I started liking fiddle." A short time later he was prodded into performing for his fellow sailors. "We were having a beach party ... with this USO troupe," he said, "and they were asking if anyone wanted to play. Some of the boys on my ship knew I had a guitar, so they went up and talked to somebody, and the first I knew, I was up there playing."

Then, in Okinawa, Baker was pressed into service to play fiddle for a square dance. "It was a fine fiddle, although of course it was set up for a violinist, and I had to jack the bridge down a bit," Baker recalled. "I played the only two numbers I knew, 'Rubber Dolly' and 'Ragtime Annie.' I played three, maybe four hours, at the longest, switched from one number to the other. So I just started from that...."

When he returned home, Baker took up Western swing fiddling, emulating Wills' style. A decade later, in 1957, he joined Bill Monroe's band. "I first met Bill at WNOX [a radio station in Knoxville, Tennessee, which played a major role in traditional country and bluegrass music in the 1940s and '50s]. ...Back in those days," Baker said, "Bill would come over there and do a show on the ‘Mid-Day-Merry-Go-Round’ on WNOX and maybe be there for a week.... [About five years later], I went with Monroe. The first show I played with him was in Bluefield, West Virginia." Baker stayed with Monroe and his group off and on until 1984. Monroe, revered as "the father of bluegrass music," was fond of introducing his colleague as "the greatest fiddler in bluegrass."

After leaving Monroe in 1984, Baker performed and recorded with Dobro player Josh Graves and with the Masters, a bluegrass supergroup that included Graves, Eddie and Martha Adcock and Jesse McReynolds.

Baker's recordings contain many great old fiddle tunes and more than eighty of his own compositions. The mastery of dynamic control, phrasing and accuracy in his "long bow" technique is envied and imitated by other fiddlers.

Grimes, William. "Kenny Baker, Fiddler Steeped in Bluegrass Style, Dies at 85." New York Times, August 1, 2011. http://www.nytimes.com/2011/08/02/arts/music/kenny-baker-bluegrass-fiddler-dies-at-85.html
Watson, Bruce, and Catherine Karnow. "This Here's All for Foot Tappin' and Grin Winnin'." Smithsonian (March 1993) 23, 12: 68.

Baker, Kenny. Kenny Baker Plays Bill Monroe. County 2708.
______. Master Fiddler. County 2705.
Baker, Kenny, and Blaine Sprouse. Indian Springs. Rounder 259.
Baker, Kenny, et al. Let's Put the Axe to the Axis: Songs of World War II, Vol. I. Smithsonian Folkways RF610.


Kenny Baker, 1993 National Heritage Fellowship Concert, Washington, D.C., courtesy National Endowment for the Arts


Kenny Baker, 'Springtime,' Masters of the Folk Violin, 1995, Arhoolie CD 434

Kenny Baker, 'Starlight Waltz,' Masters of the Folk Violin, 1995, Arhoolie CD 434
Stephane Grappelli

Kenny Baker, 'Sweet Bunch of Daisies,' Masters of the Folk Violin, 1995, Arhoolie CD 434

Kenny Baker, 'Bobby Van's Hornpipe,' Masters of the Folk Violin, 1995, Arhoolie CD 434
Stephane Grappelli

Kenny Baker, audio biography, produced and recorded by Alan Govenar, edited by Andrew Dean. Narrated by Bob Ray Sanders

Kenny Baker and Blaine Sprouse, 'September Waltz,' Indian Springs, 1989, Rounder Records CD 0259

Kenny Baker and Blaine Sprouse, 'Three Days In Dublin,' Indian Springs, 1989, Rounder Records CD 0259
Stephane Grappelli

Kenny Baker and Blaine Sprouse, 'Indian Springs,' Indian Springs, 1989, Rounder Records CD 0259
[Stephane Grappelli